| 1943 |
American. Born in Wichita, Kansas, Raised in Lubbock, Texas. |
| 1966 |
BFA, Chouinard Art Institute, Los Angeles, CA
|
| 1978-79 |
Professor, California State University, Fresno, CA. Resigned position. |
| 1974-77 |
Associate Professor, California State University, Fresno, CA |
| 1971-72 |
Guest lecturer, California State University, Fresno, CA |
| 1971 |
Guest artist at University of California, Berkeley |
| 1968-69 |
Drawing classes at Chouinard Art Institute, Los Angeles, CA, and Pasadena Art Museum, Pasadena, CA |
| 1966-67 |
Third grade, 93rd Street School, Watts, CA (U.S. Poverty Program)
|
| 1997 |
Buddy Holly Walk of Fame Inductee, Lubbock, TX |
| 1996 |
Dance Club Award, Best Club Interior, RED JACKET, Dallas, TX |
| 1992 |
Wexner Center for the Arts, Artist Residency Fellowship, Columbus, OH |
|
|
| 1989 |
Adaline Kent Award, San Francisco, CA |
| 1986 |
Guggenheim Fellowship |
|
Bessie Award, New York, NY |
|
Isadora Duncan Award, San Francisco, CA |
| 1985 |
National Endowment for the Arts Fellowship |
| 1978 |
National Endowment for the Arts Fellowship |
| 1970 |
National Endowment for the Arts Fellowship
|
|
|
| Selected solo exhibitions |
|
| 2001 |
PrintsDrawingsWritings, Sheehan Gallery, Walla Walla, WA |
|
Study Drawings by Terry Allen, Gallery 68, Austin, TX |
| 2000 |
Terry Allen: Belief (Study Works), Contemporary Arts Center, Cincinnati, OH |
|
Studies for "Countee Music," Moody Gallery, Houston, TX |
|
Works on Paper, Bannister Gallery, Rhode Island College Art Center, Providence, RI |
| 1999 |
Terry Allen: IAH Airport Working Drawings, Moody Gallery, Houston, TX |
|
Voices in the Wilderness, Portsmouth Museum, Portsmouth, VA |
| 1998 |
Publik Werks, Laumeier Sculpture Park, St. Louis, MO |
| 1997 |
Terry Allen: Prints 1974-1997, Michael Solway Gallery, Cincinnati, OH |
|
Terry Allen: Prints, Barry Whistler Gallery, Dallas, TX |
| 1996 |
Liquid Assets, L. A. Louver Gallery, Venice, CA |
|
Moody Gallery, Houston, TX |
| 1995 |
Bronzes & Drawings, UMKC Gallery of Art, Kansas City, MO |
| 1994 |
Poison Amor (Collaboration with James Drake), Blue Star Art Space, San Antonio, Texas; Blaffer Gallery, University of Houston, Houston, Texas |
|
Voices in the Wilderness, Moody Gallery, Houston, Texas |
|
Bronzes, Schneider Art Museum, Ashland, Oregon |
| 1993 |
Voices in the Wilderness, L. A. Louver Gallery, Venice, California |
| 1992 |
Youth in Asia, Southeastern Center for Contemporary Art, Winston-Salem, N. C.; traveling to: Modern Art Museum of Fort Worth, Fort Worth, TX; Newport Harbor Art Museum, Newport Beach, CA; The Contemporary Museum, Honolulu, HI |
|
A Simple Story (Juarez), Wexner Center for the Visual Arts, Columbus, OH |
|
Gallery Paule Anglim, San Francisco, CA |
|
Moody Gallery, Houston, TX |
| 1991 |
Terry Allen: New Work, L. A. Louver Gallery, Venice, CA |
|
The Artist's Eye: Terry Allen, Kimbell Art Museum, Fort Worth, TX |
| 1989 |
Big Witness (living in wishes), San Francisco Art Institute, San Francisco, CA |
|
Them Ol' Love Songs, Cranbrook Art Museum, Bloomfield Hills, MI |
|
Moody Gallery, Houston, TX |
|
John Weber Gallery, New York, NY |
|
Installation and Concert, Laumiere Sculpture Park, St. Louis, MO |
| 1988 |
Big Witness (living in wishes), L. A. Louver Gallery, Venice, CA; Santa Barbara |
|
Contemporary Arts Forum, CA; Moore College of Art, Philadelphia, PA; |
|
Madison Arts Center, Madison, WI; University of Arizona Museum of Art, Tucson, AZ; |
|
Gallery Paule Anglim, San Francisco, CA |
|
John Weber, New York, NY |
|
Terry Allen: Youth in Asia, Pittsburgh Center for the Arts, Pittsburgh, PA |
| 1986 |
Revelations, Southwest Craft Center, San Antonio, TX |
|
OHIO, Wright State University, Dayton, OH |
|
John Weber Gallery, New York, NY; |
|
Gallery Paule Anglim, San Francisco, CA |
|
China Night, Florida State University Fine Arts Gallery, Tallahassee, FL |
| 1985 |
Moody Gallery, Houston, TX |
|
China Night, Fresno Art Center, Fresno, CA |
|
Visual and Aural Mythologies, Alberta College of Art Gallery, Calgary, Alberta |
| 1984 |
Sprawl/Prowl/Growl, Espace Lyonnais d'Art Contemporain (ELAC), Lyon, France |
|
Barbara Gladstone Gallery, New York, NY |
| 1983 |
Rooms and Stories, La Jolla Museum of Contemporary Art, La Jolla, CA |
|
Mandeville Gallery, University of California, San Diego, CA |
|
Morgan Art Gallery, Kansas City, MO |
| 1982 |
Yellowstone Art Center, Billings, MT |
| 1981 |
Portland Center for the Visual Arts, Portland, OR |
|
Ring, Nelson Gallery/Atkins Museum, Kansas City, MO |
| 1980 |
Baxter Art Gallery, California Institute of Technology, Pasadena, CA |
| 1979 |
Lubbock Lights Gallery, Lubbock, TX |
|
Morgan Art Gallery, Kansas City, KS |
| 1978 |
Hansen Fuller Gallery, San Francisco, CA |
|
Nancy Lurie Gallery, Chicago, IL |
|
Landfall Press Gallery, Chicago, IL |
| 1976 |
Claire S. Copley Gallery, Los Angeles, CA |
|
Morgan Art Gallery, Kansas City, KS |
| 1975 |
Juarez Series, Contemporary Arts Museum, Houston, TX |
| 1974 |
Michael Walls Gallery, New York, NY |
| 1973 |
Michael Walls Gallery, Los Angeles, CA |
| 1971 |
Mizuno Gallery, Los Angeles, CA |
|
Museum of Contemporary Art, Chicago, IL |
| 1970 |
Michael Walls Gallery, San Francisco, CA |
| 1968 |
Michael Walls Gallery, San Francisco, CA |
|
Pasadena Art Museum, Pasadena, CA |
| 1966 |
Gallery 66, Los Angeles, CA
|
| Selected group exhibitions |
|
| 2005 |
Inaugural Exhibition, Holly Johnson Gallery, Dallas, TX |
| 2001 |
Chouinard: A Living Legacy (Chouinard Alumni Exhibition), Oceanside, Museum of Art, Oceanside, CA |
|
Radical Past: Contemporary Art & Music in Pasadena 1960-1974, Armory Center for the Arts, Pasadena, CA |
|
Art and Wine: Benzinger imagery series, Palo Alto Art Center, Palo Alto, VA |
|
200 Years of Folly: Legacy of Goya's Caprichos, Muskegon Museum of Art, Muskegon, MI (exhibition will travel) |
| 1999 |
New To Houston: Recent Additions to Houston Collections, The Museum of Arts, Houston, TX |
| 1998 |
Prints from the Collection of David Durham on loan from the Center for Contemporary Arts in Abilene, Texas, Stephen F. Austin State University Department of Art - Griffith Gallery, Nacogdoches, TX |
| 1997 |
Household Goods, Texas Gallery, Houston, TX |
|
Scene of the Crime, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA |
|
Art Foundry Editions, Santa Fe at Knoedler, New York, Knoedler & Company, New York, NY |
|
Fresh Ink: Austin Print Workshops, Austin Museum of Art, Downtown, Austin, TX |
| 1996 |
The Bird Show, West End Gallery, Houston, TX |
|
Convergence, Barbara Davis Gallery, Pennzoil Place, Houston, TX |
|
American Kaleidoscope, The National Museum of American Art, Washington, DC |
| 1995 |
Temporarily Possessed, The New Museum, New York |
|
Confronting Nature: Silenced Voices, Cal State Fullerton, Fullerton, CA (exhibition will travel) |
|
The Art Show, Ochi Gallery, Sun Valley, ID |
|
It's Only Rock n' Roll, Phoenix Art Museum, Phoenix, AZ (exhibition to travel) |
|
The Prints of Cirrus Edition, L. A. County Museum, Los Angeles, CA |
| 1994 |
Mapping, UTSA Art Gallery, University of Texas, San Antonio, TX (will travel) |
|
Insite 94, Bi-National Exhibition, San Diego, CA/Tijuana, Mexico |
| 1993 |
La Frontera-The Border, Museum of Contemporary Art, San Diego, CA; tour: Centrok Cultural, Tijuana, Mexico; Tacoma Art Museum, Tacoma, WA; Scottsdale Center for the Arts, Scottsdale, AZ; Neuberger Museum, State University of New York, Purchase, NY; San Jose Museum of Art, San Jose, CA |
| 1992 |
Printmaking in Texas: The 1980's, Laguna Gloria Museum, Austin, TX |
|
Profiles II: On Paper, Adair Margo Gallery, El Paso, TX, traveling to Weber State University, Ogden, UT; and Arlington Museum, Arlington, TX |
|
Centenary Print Exhibition, Modern Art Museum of Fort Worth, Fort Worth, TX |
| 1991 |
Positions in the Desert, Gallery Paule Anglim, San Francisco, CA |
|
The Political Arm, John Weber Gallery, New York, NY and Washington University, St. Louis, MO |
|
Text Context, San Jose Institute of Contemporary Art, San Jose, CA |
|
Critical Reactions, Rena Bransten Gallery, San Francisco, CA |
|
Poets' Walk, Citicorp Plaza, Los Angeles, CA |
|
Drawings by Sculptors, Sena Gallery, Santa Fe, NM |
|
Singular Visions, Museum of Fine Arts, Museum of New Mexico, Santa Fe, NM |
|
Responsive Witness, The Palo Alto Cultural Center, Palo Alto, CA |
|
On the Road Selections from the Permanent Collections of the San Diego |
|
Museum of Contemporary Art, traveling to Duke University Museum of Art, Durham, NC; J. B. Speed Art Museum, Louisville, KY; Springfield Museum of Fine Arts, MA; Memorial Art Gallery of the University of Rochester, NY; Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT; The Philbrook Museum of Art, Tulsa, OK |
|
Drawings: An Exhibition of Artists of the John Weber Gallery, John Weber Gallery, New York, NY |
| 1990 |
CCA12, The Center for Contemporary Arts of Santa Fe Second Annual Invitational, Santa Fe, NM |
|
Contemporary Assemblage: Dada and the Surrealist Legacy, L. A. Louver Gallery, Venice, CA |
|
Politics in Print, Landfall Press, Chicago, IL, and New York, NY |
|
Northwest x Southwest—Painted Fiction, Palm Springs Desert Museum, CA; Yellowstone Art Center, MT; Bellingham Museum, WA; University of Houston, TX |
| 1989 |
Heroics Recast, School of the Museum of Fine Arts, Boston, MA |
|
Forty Years of California Assemblage, Wright Art Gallery, University of California, Los Angeles, CA |
|
10 + 5 From California, Thomas Center, Gainsville, FL |
|
A Different War, Whatcom Museum of History and Art, Belingham, WA, traveling to De Cordova Museum and Sculpture Park, Lincol, MA; Northwestern University, Evanston, IL; Akron Art Museum, OH; Madison Art Center, Madison, WI; Wright Art Gallery, UCLA, Los Angeles, CA; CU Art Galleries, University of Colorado, Boulder, CO; and Washington State University Museum of Art, Pullman, WA |
|
Humor in Prints, University of Arizona Museum of Art, Tucson, AZ |
| 1988 |
Lost and Found in California: Four Decades of Assemblage Art, James Corcoran Gallery, Pence Gallery, Shoshona Wayne Gallery, Santa Monica, CA; G. Ray Hawkins Gallery, Los Angeles, CA |
|
Out of Time, Cuesta College Art Gallery, San Luis Obispo, CA |
| 1987 |
Documents 8, Kassel, West Germany |
|
Avant Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles, CA |
|
War & Memory, Washington Project for the Arts, Washington, D. C. |
| 1986 |
The Allen/Ely Project, Southwest Craft Center, San Antonio, TX |
|
Lead, Hirschl and Adler Modern, New York, NY |
|
The Texas Landscape, 1900-1986, Museum of Fine Arts, Houston, TX |
|
Honky Tonk Visions (On West Texas Music: 1936-86), Texas Tech University, Lubbock and others |
|
Text and Image, Holly Soloman Gallery, New York, NY |
|
Boston Collects: Contemporary Painting & Sculpture, Museum of Fine Arts, Boston, MA |
|
Sculptors' Drawings, University Art Gallery, Sonoma State University, CA, and Prichard Art Gallery, Moscow, ID |
| 1985 |
Sao Paulo Biennial, Sao Paulo, Brazil |
| 1984 |
Content & Contemporary Focus 1974-84, Hirshhorn Museum, Washington, DC |
|
American & European, L. A. Louver Gallery, Venice, CA |
|
Return of the Narrative, Palm Springs Desert Museum, Palm Springs, CA |
|
Face to Face/Back to Back, California State University, Fullerton, CA |
|
Strike Restrike: The Revitalized Print, Western Michigan University, MI |
|
Contemporary Works on Paper, University Art Museum, Lafayette, LA |
|
California Drawings, Modernism, San Francisco, CA |
|
50 Artists/50 States, Fuller Goldeen Gallery, San Francisco, CA |
|
35 Artists, Morgan Gallery, Kansas City, MO |
|
Rockefeller Retrospective, Wake Forest University, Winston-Salem, NC |
|
Vietnam: The War and its Aftermath, Chapman College, Guggenheim Gallery, Organized by Richard Turner, Orange, CA |
|
Stars, Fuller Goldeen Gallery, San Francisco, CA |
| 1983 |
Site Strategies, The Oakland Museum, CA |
|
Language Drama Source & Vision, The New Museum, New York, NY |
|
Perspectives of Landscape, Fuller Goldeen Gallery, San Francisco, CA |
|
Jim Morgan Memorial Exhibition, Kansas City Art Institute, Kansas City, MO |
|
Winterworks, Oklahoma Art Center, Oklahoma City, OK |
|
Allen, Henderson, Wegman, Wiley, Sun Valley Center Gallery, Ketchum, ID |
|
Anderson Ranch Faculty Exhibit '83, Cohen Gallery, Denver, CO |
|
California Current Part II, L. A. Louver Gallery, Venice, CA |
|
American European Painting and Sculpture Part I, L. A. Louver, Venice, CA |
|
Opening Exhibition/New Space, Morgan Art Gallery, Kansas City, MO |
|
Public Comments, Center on Contemporary Arts, (COCA) Seattle, WA |
| 1982 |
Sydney Biennale, Art Gallery of New South Wales, Australia |
|
Awards in Visual Arts, National Gallery, Washington, D. C., traveling to: Des Moines Art Center, Des Moines, IA; and Denver Art Museum Denver, CO |
|
Museum of Modern Art, Paris, France |
|
Exchange Between Artists, 1931-82, Poland-USA, Museum of Modern Art, Paris, France |
|
New American Graphics 2, Madison Art Center, Madison Art Center, Madison, WI; traveled extensively throughout USA |
|
Artist Photographs, Vision #5, Crown Point Gallery, Oakland, CA |
|
Forgotten Dimension, A Survey of Small Sculpture in California Now, Fresno |
|
Arts Center, Fresno, CA (exhibition traveled throughout United States for two years) In Our Time, 1948-1982 Survey Exhibition, Contemporary Arts Museum, Houston, TX |
|
The Destroyed Print, Pratt Manhattan Center, Pratt Institute, New York, NY |
| 1981 |
Works from Landfall Press, Malinda Wyatt Gallery, Venice, CA |
|
Beauty and the Board Room, University of Missouri-Kansas City Gallery of Art |
|
Words as Images, sponsored by the Renaissance Society at University of Chicago and White Walls magazine, Bergman Gallery, University of Nebraska, Omaha, NE |
|
Letters from Artists, Kemper Gallery, Kansas City Art Institute, Kansas City, MO |
|
Humor in Art, organized by Michael Kurchfeld, Las Angeles Institute of Contemporary Art, Los Angeles, CA |
|
The Southern Voice (Terry Allen, Vernon Fisher, Ed McGowin), Fort Worth Art Museum, Ft. Worth, TX |
|
Group Exhibition, Delahunty Gallery, Dallas, TX |
|
Soundings, Neuberger Museum, State University of New York, Purchase, NY |
|
Post Modernist Metaphors, Alternative Museum, New York, NY |
|
Not Just For Laughs, The New Museum, New York, NY |
| 1980 |
Terry Allen & Charles Gaines, Phoebe Conally Gallery, California State University, Fresno, CA |
|
Cartography, John Michael Kohler Arts Center, Sheboygan, WI |
| 1979 |
7 x 9 Exhibition, organized by Ellen Lanyon, N.A.M.E. Gallery, Chicago, IL |
|
Image and Object in Contemporary Sculpture, Detroit Institute of Arts, Detroit, MI (exhibitition traveled to P. S. 1, New York, NY) |
|
Words and Images, Philadelphia College of Art, Philadelphia, PA |
| 1978 |
Aesthetics of Graffiti, San Francisco Museum of Modern Art, San Francisco, CA |
|
Group Exhitition/Prints, Droll-Kolbert Gallery, New York, NY |
|
Narrative, David Heath Gallery, Atlanta, GA |
| 1977 |
Whitney Biennial, Whitney Museum, New York, NY |
|
10th Biennale de Paris, Paris, France |
|
New Acquisitions Exhibition (Prints), Museum of Modern Art, New York, NY |
|
American Narrative: Story of Art 1967-77, Contemporary Arts Museum, Houston, TX, (traveled to the University of California Art Museum, Berkeley; Santa Barbara Art Museum, CA) |
|
The Record As Artwork, Fort Worth Art Museum, TX (traveled throughout U.S. and Canada) |
|
Prints, Books, Photographs, Emily H. Davis Art Gallery, University of Akron, OH |
|
The Modern Era: Bay Area Update, Huntsville Museum of Art, Huntsville, AL, (Organized by Braunstein/Quay Gallery, San Francisco, CA) |
|
Summer Exhibition, Hansen-Fuller Gallery, San Francisco, CA |
| 1977 |
San Francisco Art Institute Annual, Fort Mason, San Francisco, CA |
|
Watercolors & Related Media by Contemporary Californians, Baxter Art Gallery, California Institute of Technology, Pasadena, CA |
|
Texas Artists, American Cultural Center, Paris, France |
|
Personal Information, Nancy Lurie Gallery, Chicago, IL |
|
Major New Works, Nancy Hoffman Gallery, New York, NY |
|
Landfall Press, A Survey of Prints (1970-77), Museum of Contemporary Art, Chicago, IL |
|
California Artists, organized by Henry Hopkins, The Hague, Holland |
|
Americans in the Biennale, Hudson River Museum, New York, NY |
| 1976 |
The Great American Rodeo Show, Fort Worth Art Museum, Ft. Worth, TX, (exhibition traveled to various cities throughout United States in conjunction with their rodeos) |
|
Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art, San Francisco, CA (exhibition traveled to National Collection of Fine Arts, Smithsonian Institution, Washington, D. C.) |
|
30 Years of American Printmaking, The Brooklyn Museum, Brooklyn, NY (including 20th National Print Exhibition) |
| 1975 |
Eight from California, National Collection of Fine Arts, Smithsonian Institution, Washington, D. C. |
|
The Small Scale in Contemporary Art, Chicago Art Institute, Chicago, IL |
|
Visual/Verbal, University of California, Santa Barbara, CA |
| 1974 |
Word Works, Mt. San Antonio College, Walnut Creek, CA |
|
Drawings, Nancy Hoffman Gallery, New York, NY |
|
Drawings, Lowe Art Museum, University of Miami, Coral Gables, FL (organized and expanded with separate catalogue by Nancy Hoffman; also traveled to Center for the Visual Arts, Illinois State University, Normal, IL) |
|
Lithographs from Landfall Press, Center for the Visual Arts, Illinois State University, Normal, I |
|
Selections from Cirrus Editions, Los Angeles County Museum of Art, Los Angeles, CA |
|
Opening Exhibition, Gallerie Doyle, Paris, France |
|
December Drawing Show, Claire S. Copley Gallery, Inc., Los Angeles, CA |
| 1973 |
Biennial Exhibition, Whitney Museum of American Art, New York, NY |
|
Extraordinary Realities, Whitney Museum of American Art, New York, NY |
|
Opening Exhibition, John Doyle Gallery, Chicago, IL |
|
Drawings, Cusack Gallery, Houston, TX |
|
Texas Drawings, Smither Gallery, Dallas, TX |
| 1972 |
Surrealism is Alive & Well in the West, California Institute of Technology (Baxter Art Gallery), Pasadena, CA |
|
The State of California Painting, organized by Michael Walls, sponsored by the Queen Elizabeth Arts Council to tour New Zealand and Australia |
|
14 Los Angeles Painters, University of California, Santa Barbara, CA |
| 1971 |
Continuing Surrealism, La Jolla Museum of Art, La Jolla CA |
|
National Invitational Drawing Exhibit, Southern Illinois University, Carbondale, IL (Purchase Prize) |
|
Boxed Top Art Show, Illinois State University, Normal, IL |
|
Made in California, Grunwald Graphic Arts Foundation, UCLA, Los Angeles, CA |
|
The 73rd Western Annual, Denver Art Museum, Denver, CO |
| 1970 |
1970 National Drawing Exhibition, San Francisco Museum of Art, CA |
|
A Decade of Accomplishment: American Drawings and Prints of the 1960's, Illinois Bell, Chicago, IL |
|
The Sixties, Where It Was, Quay Gallery, San Francisco, CA |
|
Drawing 88, Winn Galleries, Austin, TX |
|
Still Life Today, American Federation of Arts (exhibition circulated throughout United States, beginning September 1970) |
|
Looking West 1970, Joslyn Art Museum, Omaha, NE |
|
South Texas Street Funk, St. Edwards University, Austin, TX |
| 1969 |
The Spirit of the Comics, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA (exhibition was circulated by American Federation of Arts throughout the United State, February 1970-May 1971) |
| 1968 |
1968 Drawing Invitational, San Francisco Art Institute, San Francisco, CA |
|
All-City Show, Barnsdall Park, Los Angeles, CA (Purchase Prize) |
| 1967 |
Small Images, California State College, Los Angeles, CA |
| 1966 |
3-Man Show Gallery 66, Los Angeles, CA
|
| Theater and Music performance recordings |
|
| 2001 |
Concert for Cliff & Joanna, Terry Allen & The Panhandle Mystery Band, H. C. Westerman Exhibition, Museum of Contemporary Art, Chicago, IL |
| 1998 |
The Baby Dance, Music Soundtrack for movie directed by Jane Anderson, Showtime Network "Austin City Limits," PBS Television |
| 1994 |
Chippy, (Written by Terry Allen and Jo Harvey Allen), (with Jo Harvey Allen, Joe Ely, Butch Hancock, Jo Carol Pierce, Barry Tubb, Robert Earl Keen, Wayne Hancock), American Music Theater Festival (AMTF), Play and Players Theatre, Philadelphia, PA and Lincoln Center Productions' "Serious Fun!" Festival, New York, NY |
| 1993 |
Amarillo Highway (and other roads), (with Butch Hancock, Michael Ventura, Jesse Taylor, Charlene Hancock), Lubbock or Leave It, Austin, TX; Jazz Club, Santa Cruz, CA; St. Anne's Cathedral, Brooklyn, NY; Paramount Theater, Austin, TX |
|
Chippy (Diaries of a West Texas Hooker), Cross Currents work-in-progress, American Music Theater Festival, Play and Players Theater, Philadelphia, PA |
| 1991 |
Pioneer, (Collaboration with Paul Dresher Company), (Written by Terry Allen, Jo Harvey Allen, Rende Eckert), (Directed by Robert Woodruff), UCLA Center for the Performing Arts, Los Angeles, CA, traveling to Zellerbach Hall, UC-Berkeley and Theater Artaud, San Francisco, CA, and Wexner Center for the Visual Arts, Columbus, OH |
| 1990 |
Juarez: A Work in Progress (with Jo Harvey Allen and the Panhandle Mystery Band), Brattle Theater, Cambridge, MA |
|
Pioneer (Paul Dresher Ensemble), (with Jo Harvey Allen, Rende Eckert and John Duykers), (Directed by Robert Woodruff), Spoleto Festival, Garden Theatre, Charleston, SC |
| 1989 |
In Concert: Terry Allen, Cranbrook Art Museum, Bloonfield Hills, MI |
|
The Event: Terry Allen and Jo Harvey Allen, Des Moines Art Center, Des Moines, IA |
|
Terry Allen: Concert, Laumeier Sculpture Park, St. Louis, MO |
| 1988 |
Rollback (Collaboration with Margaret Jenkins Dance Company and Bruce Nauman) Kimo Theater, City of Albuquerque, New Mexico |
|
Out of Time (Collaboration with Mike Henderson and William T. Wiley), Cuesta College Art Gallery, San Luis Obispo, CA |
| 1987 |
Leon & Lena (and Lenz) (Directed by Joanne Akalaitis), Music by Terry Allen), Guthrie Theater, Walker Art Center, Minneapolic, MN |
|
War & Memory (Concert & Music Panel Discussion), (with Joe Ely, Jimmie Dale Gilmore and Butch Hancock), Washington Project for the Arts, Washington, D.C. |
| 1985 |
Do You Know What Your Children Are Tonight? (with Bukka, Bale & Jo Harvey Allen), Washington Project for the Arts, Washington, D.C.; Theater Artaud, San Francisco, CA |
|
Pedal Steal (Collaboration with Margaret Jenkins Dance Company), (Sets and Music by Terry Allen), Brooklyn Academy of Music, NY; Theater Artaud, San Francisco, CA |
| 1984 |
Face to Face/Back to Back, performance with Jo Harvey Allen, Visual Arts Center, California State University, Fullerton, CA |
|
Lorna, a video by Lynn Hershman, produced by Electronic Arts Archives, Texas Tech University, Music by Terry Allen |
|
The Embrace…Advanced to Fury, Espace Lyonnais d'Art Contemporain (ELAC), Lyon, France (video screening reading) |
| 1983 |
Anterabbit/Bleeder (a biography), theater piece in conjunction with "Rooms and Stories: Recent work by Terry Allen," Sherwood Auditorium,La Jolla Museum of Contemporary Art, La Jolla, CA |
|
Hally Lou, music for play by Jo Harvey Allen, performed at The Aspen Art Center, Aspen, CO; The New Japanese-American Theatre (in conjunction with "Explorations"), co- sponsored by California Institute of the Arts and The New Museum of Contemporary Art, Los Angeles, CA (Songs: "Oh Hally Lou", "Bloodlines" and part of "Gimme a Ride to Heaven Boy") |
| 1982 |
Counter Angel, music for play by Jo Harvey Allen, performed at Malinda Wyatt Gallery, Venice, CA; The New Museum, New York, NY; Allen Street Gallery, Dallas, TX…and under title "Tables and Angels" at The Chicken Burger Café, Anchorage, AK and Chat N' Chew Café in San Francisco, CA (Song: "The Beautiful Waitress") POP-UP Productions |
|
Bissie at the Baths, music for play by Joan Hotchkis, performed at The New Museum, New York, NY. (Song: "Oh What a Dangerous Life") POP-UP Productions |
|
The Embrace…Advanced to Fury, Video presentation, Hallwalls, Buffalo, NY |
| 1981 |
The Embrace, video installation and environment, Portland Center for the Visual Arts, Portland, OR |
|
Performance Symposium, performed with John Hadley, Tim Ryan and Dick Dunlap in Dunlap's "Rubber Band" piece. Wrote and performed with John Hadley "Evil Lava" song for Joe Ferrell Hobbs "Disaster Piece." Also played "Lubbock Tornado" in piece with John Hadley and performed solo. Fly-by-Night Club (Mr. White Keys) in Spenard, Alaska, sponsored by Visual Arts Center of Alaska, Anchorage, AK |
|
The Embrace…Advanced to Fury, performed at Drexel Hall, October 16 and 17 in Conjunction with RING exhigition at Nelson Gallery/Atkins Museum, Kansas City, MO |
|
The Embrace, video installation environment (Part II, RING), Nelson Gallery/Atkins Museum, Kansas City, MO |
| 1980 |
The Embrace…Advanced to Fury, video screening, University Museum, Berkeley, CA |
|
The Embrace, video installation environment, Phoebe Connaly Gallery, Fresno State University, CA |
|
The Embrace…Advanced to Fury, video screening "San Francisco Video Review," Video Free America, San Francisco, CA |
|
The Embrace, video installation and environment, Boise Gallery of Art, ID |
|
The Embrace, video installation environment, "Terry Allen (part of and some in betweens)" exhibition, Baxter Art Gallery, California Institute of Technology, Pasadena, CA |
| 1979 |
Money and Love, Three dances choreographed by Joanne Kelly to Terry Allen songs My Amigo, Blue Asian Reds, and Lubbock Women, Hotel St. Francis, San Francisco, CA |
|
The Embrace, video installation environment, Image & Object exhibition at Detroit Museum of Arts, Detroit, MI. (Piece shown in another form at P.S.I. in Conjunction with same exhibition, New York, NY |
| 1978 |
The Embrace…Advanced to Fury, (with Jo Harvey Allen), a theatre occurrences performed at Spinoza Arena/Theatre, Houston, TX, in conjunction with American Narrative - Story Art 1967-77 exhibition at Contemporary Art Museum, Houston, TX. (The Embrace… is the second section of a four section piece titled - RING)* The Embrace…Advanced to Fury (see above), performed at University Art Museum, Berkeley, CA |
| 1974 |
American Sadness, mixed-media presentation on men and women, 101 Theatre, Fresno, CA. (Also performed at School of Creative Studies, University of California, Santa Barbara, CA) |
|
Cocaine Cowboy, title music, costume design and voice characterization for a play by George Lewis, 101 Theatre, Fresno, CA |
| 1972 |
L.A. Backwards is Al, mixed-media biographic presentation on the work of Allen Ruppersberg, 101 Theatre, Fresno, CA |
| 1970 |
The Levels (performance for Robert Irwin), one performance only, University of California, Berkeley, CA |
| 1968 |
Dialogues in Drag…A Satire, one act play performed one night only, Lucille Street Theatre, Los Angeles, CA |
|
The Twentieth Century Pronto, Arrived, one act play performed one night only, Lucille Street Theatre, Los Angeles, CA |
| 2001 |
From Hell to Breakfast, A taste of Sugar Hill's Texas |
|
Singer-Songwriters, Compilation of various artists, Sugar Hill Records |
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Concert for a Landmine Free World, Various Artists Compilation CD, Vanguard Records |
| 1999 |
Salivation, CD, Sugar Hill Records |
| 1998 |
Viva Americana, compilation CD, Viva Americana, London, England |
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"Ourland," Terry Allen Live at the Empire Music Hall, Belfast, Northern Ireland |
| 1997 |
Smokin' the Dummy/Bloodlines, CD re-issue, Sugar Hill Records |
| 1996 |
Human Remains, CD, Sugar Hill Records |
| 1995 |
Lubbock (on everything), CD re-issue, Sugar Hill Records |
| 1994 |
Songs From Chippy, produced by Terry Allen and Joe Ely, various artists (Terry Allen, Jo Harvey Allen, Joe Ely, Butch Hancock, Wayne Hancock, Robert Earl Keen, Jo Carol Pierce), Hollywood Records |
| 1993 |
I Blame God, sung by Terry Allen, produced by Terry Allen and Lloyd Maines, for Across the Great Divide (songs by Jo Carol Pierce), CD, various artists, Dejadisc, BMI (benefit for Austin Rape Crisis Center, Austin, TX) |
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Pedal Steal/Rollback, single CD, two soundtracks for dance (executive producer Margaret Jenkins Dance Co., San Francisco, CA) |
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Pedal Steal…all text, music, and lyrics by Terry Allen (except "Sentimental Journey" by Green, Brown and Homer, ASCAP; "Give Me the Flowers," public domain and MacDonald's commercial) Performed by Terry Allen and The Panhandle Mystery Band, produced by Terry Allen, Lloyd Mains and Don Caldwell, recorded at Caldwell Studios, Lubbock, TX, 1986, Green Shoes Publishing Co., BMI |
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Rollback…all music and lyrics by Terry Allen (except "Home on the Range," public domain), performed by Terry Allen and the Panhandle Mystery Band, produced by Terry Allen, Lloyd Maines and Richard Bowden, recorded at Caldwell Studios, Lubbock, TX, 1988, Green Shoes Pub. Co., BMI |
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Bleeder, single track on three-track compilation CD, various artists |
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Radius #1, executive producer New American Radio & Performing Arts, Inc. and Jo Harvey Allen, music by Terry Allen and The Panhandle Mystery Band, recorded at Caldwell Studios, Lubbock, TX, 1990, Green Shoes Publishing Co., BMI, What Next Recordings |
| 1992 |
The Silent Majority Terry Allen's Greatest Missed Hits, CD, compilation of out-takes, mis- takes, work tapes, added tos, taken froms, omissions and foreign materials—all music and lyrics by Terry Allen (except "Home on the Range," public domain, and "Cocktail Desperado," music by David Byrne, lyrics by Terry Allen, Index Music, ASCAP/Green Shoes Publishing Co., BMI) Green Shoes Publishing Company, BMI, Fate Records |
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Lubbock (on everything), re-issued on CD, Special Delivery/Topic Records, London, UK (all original songs included except "High Horse Momma"), licensed by Fate Records |
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Juarez, re-issued on CD and cassette, Fate Records |
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Smokin' the Dummy, re-issued on CD, Fate Records |
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Bloodlines, re-issued on CD, Fate Records |
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Amerasia, re-issued on cassette, Fate Records |
| 1988 |
Home on the Range, public domain, performed and arranged by Terry Allen, with The Panhandle Mystery Band and Joe Ely, single track on Tellus, The Audio Cassette |
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Magazine #21, Audio by Visual Artists, various artists, Harvestworks, Inc., executive producer Claudia Gould |
| 1987 |
Amerasia (film soundtrack) 33 1/3 LP album and cassette, Fate Records, Inc., recorded by The Panhandle Mystery Band, Lubbock, TX, and Surachal Jantimorn and Caravan, Bangkok, Thailand; music and lyrics by Terry Allen; Green Shoes Pub. Co., BMI |
| 1986 |
The Beautiful Waitress, written and performed solo live by Terry Allen, Green Shoes Pub. Co., BMI, single track on 1986 Kerrville Folk Festival, cassette, various artists, executive producer Rod Kennedy, Crowe Memorial Fund-Kerrville Music Foundation |
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Cocktail Desperado; single co-written with David Byrne; soundtrack The Sounds From True Stories, Warner Bros. Records |
| 1984 |
Bloodlines, 33 1/3 LP album, Fate Records, Inc., recorded at Caldwell Studios, Lubbock, Texas, produced by Lloyd Maines and Terry Allen, executive producers Jack and Ethel Lemon, all music and lyrics by Terry Allen, Green Shoes Pub. Co., BMI |
| 1983 |
The Arizona Spiritual, single track included in High Performance: The Record, issue #23, Artists doing Songs, produced and performed by Lloyd Maines and Terry Allen, music and lyrics by Terry Allen, Green Shoes Pub. Co., BMI (courtesy Fate Records, Inc.) |
| 1980 |
Smokin' the Dummy, 33 1/3 LP album/Fate Records, Inc., Green Shoes Publishing, recorded at Caldwell Studios, Lubbock, TX, with Panhandle Mystery Band, produced by Lloyd Maines and Terry Allen, executive producers Jack and Ethel Lemon, all music and lyrics by Terry Allen, except "Maybeline" by Chuck Berry; songs on single below are included in this album, BMI |
| 1979 |
Cajun Roll and Whatever Happened to Jesus (and Maybeline)?, 45 RPM single, Fate Records, Inc., Chicago, IL, Green Shoes Publishing Co., recorded at Caldwell Studios, Lubbock, TX, Panhandle Mystery Band, produced by Lloyd Maines and Terry Allen (except "Maybeline" by Chuck Berry, Arc Music), BMI |
| 1978 |
Lubbock (on everything), 33 1/3 double-record LP album, Fate Records, Inc., Chicago, IL, Green Shoes Publishing Co., recorded at Caldwell Studios, Lubbock, TX, produced by Everyone on This Record, executive producers Jack and Ethel Lemon, all music and lyrics by Terry Allen, BMI |
| 1975 |
Juarez, 33 1/3 LP album, distributed by Landfall Press, Inc. recorded at Wally Heider Studios, San Francisco, CA, produced by Jamie Howell & Terry Allen, all music and lyrics by Terry Allen BMI (originally included in Juarez Suite with six lithographs, edition of 50…3000 additional records pressed; Juarez re-released in 1980 by Fate Records, Inc., Chicago, IL) |
| 1968 |
Gonna California & Color Book, 45 RPM single, Bale Creek Records, Bukka Cain Publishing, recorded at Wally Heider Studios, Los Angeles, CA, produced by David Nelson, George Tipton & Terry Allen; music and lyrics by Terry Allen, BMI |
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